Logan Graphics Acrylic Plastic Cutter

Logan Acrylic Plastic Cutter 709-1 is a hand held tool for sizing plastic and acrylic sheets. An inexpensive way to cut plexi and acyrlic for framing purposes and can be used in conjunction with a straight edge.

Product Features

  • Hand held cutting tool for sizing plastic and acrylic used in general framing
  • Can be used along any suitable straight edge
  • Can also be used with most Logan equipment, including Team Systems, the Compact series, Intermediate+, Artist Elite and the Simplex series

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Paul Matt Scale Airplane Drawings, Volume 2

325 pages of 3-view Scale Drawings of 124 type airplanes included in a set of two books, Vol. 1 & Vol. 2 of the Paul Matt Scale Airplane Drawings.

EACH FULL PAGE DRAWING is highly detailed and is an accurate working print with all dimensions, specifications, airfoils, cross sections, templates & color schemes.

The internationally acclaimed Paul Matt Scale Airplane Drawings have been reviewed and praised by the Aviation Press around the world.

Vol. 2 contains all the airplanes listed in alphabetical order from H thru W as indicated below.

Heath LNB-4 Parasol, Howard DGA-15P, Howard DGA-3 “Pete,” Howard DGA-4 “Mike,” Howard DGA-5 “Ike,” Howard DGA-6 “Mr. Mulligan,” Hughes 18 Longwing Racer, Hughes lB Shortwing Racer, Laird LC-DW-300 “Solution,” Laird LC-DW-500 “Super Solution,” Laird-Turner LTR-14, Lavochkin LA-7, Lockheed P-80B “Shooting Star,” Lockheed Model 9 “Orion,” Lockheed PV-1 “Ventura,” LWF Cato Model L “Butterfly,” LWF Model G2, LWF Model H-1 “Owl,” Martin BM1 and 2, Martin T4M-4, Great Lakes TG-1, Martin TT 1913 Trainer, Messerchmitt Me 109 E-3, Morehouse 2 Cyl. Aero Engine, Navy-Wright NW-1 Mystery Racer, Navy-Wright NW-2 Mystery Racer, North American, 0-47A, North American AT-6D “Texan”, North American XB-70-1 “Valkyrie, Packard-Le Pere LUSAC-11, Pfitzner 1910 Monoplane, Piper J-3,”Cub,” Piper J-4 “Cub Coupe,” Piper PA-12 “Super Cruiser, Republic RC-3 Seabee, Rover Inverted Aero Engine, Ryan B-5 “Brougham,” Ryan PR-l “Fireball,” Ryan SCW Low Wing, Ryan ST-A, Seversky BT-8, Seversky P-35, Sikorsky S-39B, Standard J-1, Taylor E-2 “Cub,” Taylor J-2 “Cub,” Thomas-Boeing MB-3A and Thomas-Morse MB-3, Timm TC-170 “Collegiate,” Verville R-3 Racer, Vought F4U-1 “Corsair,” Vought SBU-1, Vought XF5U, Vultee V-IA Transport, Waco UMF/YMF-5, Waco UPF-7, Waco YKS-6 Cabin, Waterman “Arrowbile,” Waterman “Gosling” Racer, Wright F2W-1 Racer, Wright F2W-2 Racer, Wright Brothers 1903 Flyer.

Product Features

  • Full page 3-view Scale Airplane Drawings

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Wood Architecture Now! Vol. 2

Living material.  You’ll be amazed what wood can do
  As soon as the first men bravely moved out of their protective caves, they surely built protective structures out of wood. The ultimate renewable resource for architecture is thus the oldest, but also the most modern of materials. Thanks to computer-driven design and manufacturing techniques, wood can be cut and carved in the most astonishing new ways. Such innovative contributors to the work published in this volume as the German professor Achim Menges are showing the way to the creation of complex, almost living wood structures. Others like the young architects from WMR who are based in Santiago, Chile, show just how it is possible to build a dramatic two-story wood cabin overlooking the Pacific for just $ 30,000. Or imagine how an innovative polyurethane-coated wood canopy can cover and renew a whole area of the historic city of Seville (Metropol Parasol by Jürgen Mayer H.).

Just as it can be simple and evocative, wood can be part of sophisticated structures like Snohetta’s Norwegian Wild Reindeer Pavilion, with its CNC-milled timber wall. Economical, ecological, and fundamentally warm, wood architecture is as contemporary as it gets.

Product Features

  • Used Book in Good Condition

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Pamphlet Architecture 34: Fathoming the Unfathomable

The competition for Pamphlet Architecture 33 asked previous authors in the series to nominate the architects and theorists whose work represents the most exciting design and research in the field today. The second of two winning entries—the first was published in Spring 2013 as PA 33—was submitted by architects and educators Perry Kulper and Nat Chard. Pamphlet Architecture 34 speculates on how architecture might discuss indeterminate conditions of production through a generative agency of representation. Kulper and Chard explore the indeterminacy of architectural research through drawings that exceed the traditional drawing space. Located in two different countries, the authors communicate by shipping each drawing across geographical borders. As a result, the drawing acts, as a tactical and conversational medium, providing the architects with new opportunities for the confluence of the uncertain.

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