The availability of lithium polymer (Li-Poly) batteries has transformed the world of model aircraft. It is now possible for manufacturers to offer electric-powered models that perform similarly to gas-powered models. How to Build and Fly Electric Model Aircraft is a fully-illustrated, all-color guide to unleashing the unlimited potential of silent flight with electric power.
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Architects: Belzberg Architects
Location: 100 The Grove Drive, Los Angeles, CA, USA
Architect In Charge: Hagy Belzberg
Design Team: Andrew Atwood, Barry Gartin, Brock DeSmit, Carina Bien-Wilner , Christopher Arntzen, Cory Taylor, Daniel Rentsch, David Cheung, Eric Stimmel, Erik Sollom, Justin Brechtel, Philip Lee, Lauren Zuzack
Area: 27,000 sqm
Year: 2010
Photographs: Iwan Baan, Benny Chan
Project Manager: Aaron Leppanen
Structural: William Koh & Associates
Contractor: Winters-Schram
Mechanical: John Dorius & Associates
Electrical: A&F Consulting Engineers
Methane Engineer: Carlin Environmental
Environmental Engineer: Enviropro, Inc.
From the architect. The new building for the Los Angeles Museum of the Holocaust (LAMOTH) is located within a public park, adjacent to the existing Los Angeles Holocaust Memorial. Paramount to the design strategy is the integration of the building into the surrounding open, park landscape. The museum is submerged into the ground allowing the park’s landscape to continue over the roof of the structure. Existing park pathways are used as connective elements to integrate the pedestrian flow of the park with the new circulation for museum visitors.
The pathways are morphed onto the building and appropriated as surface patterning. The patterning continues above the museum’s galleries, further connecting the park’s landscape and pedestrian paths. By maintaining the material pallet of the park and extending it onto the museum, the hues and textures of concrete and vegetation blend with the existing material palette of Pan Pacific Park. These simple moves create a distinctive façade for the museum while maintaining the parks topography and landscape. The museum emerges from the landscape as a single, curving concrete wall that splits and carves into the ground to form the entry. Designed and constructed with sustainable systems and materials, the LAMOTH building is on track to receive a LEED Gold Certification from the US Green Building Council.
Circulatory Strategy:
Patrons begin their procession at the drop off adjacent to the park. Their approach is pervaded by sounds and sights of laughter and sport—of kids playing in the park and picnicking with their families. Because the building is partially submerged beneath the grassy, park landscape, entry to the building entails a gradual deterioration of this visual and auditory connection to the park while descending a long ramp. Upon entering, visitors experience the culmination of their transition from a playful and unrestrained, public park atmosphere to a series of isolated spaces saturated with photographic archival imagery.
As part of the design strategy, this dichotomous relationship between building content and landscape context is emphasized to bolster the experience inside the museum and allegorically correlate the proximity with which European forest revelers enjoying public parks were to sites of horrific and inhumane acts being carried out in 1930’s and 40’s. Visitors exit the museum by ascending up to the level of the existing monument, regaining the visual and auditory connection with the park environs.
The first room incorporates a large, single interactive table, mimicking a conceptual “community” or dinner table. The exhibit brings a large group of patrons together around one interactive exhibit. The lighting of the interior galleries dim as the visitor steps down into the subsequent rooms where two separate exhibits display divide the singular crowd—diminishing the “community” provided by people nearby. Through the third room and into the fourth, the floor continues to step down as ambient lighting becomes scarcer leading individuals to the room titled, “Concentration Camps.”
The ceiling is low, and the room is almost entirely illuminated by individual video-monitors—about the size of a notebook—which limits viewing to a single spectator. The visitor is now confined to the most isolated, darkest and volumetrically concentrated underground area in the museum. The journey from this point forward is one of ascension and of finding the comfort of familiar space as floor levels begin to rise and natural lights begins to penetrate the interior once again. The final ascent up to the existing monument is filled with sights and sounds of unrestricted park land.
Los Angeles Museum of the Holocaust / Belzberg Architects originally appeared on ArchDaily, the most visited architecture website on 18 Jan 2014.
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Clear and accessible, Analysing Architecture opens a fresh way to understanding architecture. It offers a unique ‘notebook’ of architectural strategies to present an engaging introduction to elements and concepts in architectural design. Beautifully illustrated throughout with the author’s original drawings, examples are drawn from across the world and many periods of architectural history (from prehistoric times to the recent past) to illustrate analytical themes and to show how drawing can be used to study architecture. Since its first edition appeared in 1997, Analysing Architecture has established itself internationally as one of the key texts in architectural education.
This third edition includes a new section discussing the ways analyzing examples cultivates a capacity for design. Original chapters have been expanded, new case studies added, and the format rearranged for additional clarity. The bibliography of recommended supplementary reading has also been extended.
In Analysing Architecture, Simon Unwin clearly identifies the key elements of architecture and conceptual themes apparent in buildings and relevant to other works of architecture such as gardens and cities. He describes ideas for use in the active process of design. Breaking down the grammar of architecture into themes and ‘moves’, Unwin exposes its underlying patterns to reveal the organizational strategies that lie beneath the superficial appearances of buildings.
Exploring buildings as results of the interaction of people with the world around them, Analysing Architecture offers a definition of architecture as ‘identification of place’ and provides a greater understanding of architecture as a creative discipline. This book presents a powerful impetus for readers to develop their own capacities for architectural design. It will also be of use to all those with an interest in the human occupation of and involvement with space – anthropologists, archaeologists, film-makers, installation artists, planners, urban designers, politicians.
A companion website will be available at www.routledge.com/textbooks/9780415489287.
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Within the framework of our project, architecture and art are found side by side, are entangled, extend and complete each other in order to create a common language, a synergy which creates an intriguing, vivid and dynamic, yet at the same time intimate, welcoming and friendly ensemble. The reflection on the relation between art and architecture is part of the concept created with the involvement of the Luxembourgish artist SUMO. It is a response linked to the evolution of the urban landscape because the era of the “post-graffiti”, even if many refuse to admit, has become an integral part of the city. Sumo voluntarily covered the space from the ground to the ceiling with his artwork in such a way that his art, which one can consider being “post-graffiti”, is subtly integrated in the built space. Architecture gave way to art which reveals itself at times under the overhanged volumes with yellow, orange and red clouds, at times in the background of the loggias of the apartments with its peculiar figures. Art emphasizes this formal game of the spaces that seem to have “slid” to give way to the organic sketches and eccentric colors created by the artist. This cooperation …
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Louisville Mayor Greg Fischer started 2014 off with a call to citizens: Help the city come up with creative ideas to redevelop vacant land. Local and far-flung designers are invited to re-imagine the land in a new competition. The winners of the Lots of Possibility competition will be awarded a total of $38,000 to put their […]
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This book is a practical guide to building computational models of high-level cognitive processes and systems. High-level processes are those central cognitive processes involved in thinking, reasoning, planning, and so on. These processes appear to share representational and processing requirements, and it is for this reason that they are considered together in this text.
The book is divided into three parts. Part I considers foundational and background issues. Part II provides a series of case studies spanning a range of cognitive domains. Part III reflects upon issues raised by the case studies. Teachers of cognitive modeling may use material from Part I to structure lectures and practical sessions, with chapters in Part II forming the basis of in-depth student projects.
All models discussed in this book are developed within the COGENT environments. COGENT provides a graphical interface in which models may be sketched as “box and arrow” diagrams and is both a useful teaching tool and a productive research tool. As such, this book is designed to be of use to both students of cognitive modeling and active researchers. For students, the book provides essential background material plus an extensive set of example models, exercises and project material. Researchers of both symbolic and connectionist persuasions will find the book of interest for its approach to cognitive modeling, which emphasizes methodological issues. They will also find that the COGENT environment itself has much to offer.
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The Logan Simplex Classic 60 inch mat cutter is a board mounted cutting system with parallel mat guide in aluminum channels, squaring arm, two guide rail production stops, and more. Has a 60 inch cutting area.
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The Frame Shop in a Box Elite by Logan is an all in one do it yourself Picture Framing Kit. Included in the Frame Shop are the Logan F100-2 Pro Saw, Logan F200-2 Precison Sander Elite, Logan F300-1 Studio Joiner, Logan F500-2 Dual Drive Elite as well as the Logan Complete Guide to Home Picture Framing Book. Makes a great gift!
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