Grotto by PARTISANS

PARTISANS have designed Grotto, a sauna located on San Souci Island, in the Georgian Bay area of Ontario, Canada.

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From the architect

The blue waters of Lake Huron – located north of Toronto – complement its majestic surroundings and offer a dream-like location for a retreat. A sensual environment, its serene landscape reminds the temporary dwellers of the harmony that exist beyond human possibilities. When PARTISANS team met on site, with a new client for designing and constructing a potential Sauna, they knew that their most prominent challenge was to make a free-standing structure that not only respected, but also matured from the context. Located on Sans Souci Island, the site is a prehistoric large-scale rock formation. Contemplated research was conducted, and through the process a Grotto was set as an inspiration that would inform the design. Grottos, historically, have been known as natural or artifi cial caves that are embedded deep behind the curvature of streams, and thus discovered by those who would take the time to explore.

Understanding the age-old rock, intimately, was the first step toward architecture. As a cascading granite cliff shaped by glaciers into a peninsula, the rock offered both new possibilities and an unobstructed view of the horizon. National Geographic has ranked the sunsets on this site as one of the best in the world. And we were determined to preserve and enhance the experience of it.

The team scanned the rock, using a Leica 3D laser scanner to create multiple CNC’d models in differing scales and materials. Subsequently, an unconventional process of design-play took place, and everyone in our studio collaborated in sculpting the Grotto. Out of roughly fifteen completely different ideas only 4 made the most sense; and the clients—adventurous at heart—selected a scheme that presented both excitement and challenges for the team.

The selected concept for the Grotto prescribed a solid, simple presence on the exterior, while the interior followed dynamic air movements in curvature forms; requiring design solutions. As a result we proceeded to experiment further with the materials, and selected wood, due to its specific properties, as the primary medium. Challenging the standards of current practices in the construction industry, we worked directly with a millwork and steel fabrication partner, MCM Inc., on every detail. Together, we developed a new process of fabrication; utilizing state of the art 3-D technology to scan, model and build the Grotto. The process led to a new-found understanding for the properties of materials. Creating the illusion of a carved interior, we formed the specially selected cedar timber into panels with parallel grains.

As a free-standing sauna, the Grotto uses two high performance ovens that ensure efficiency and control. There are vents and fans in-place that allow the building to breathe seasonally and prevent rot or mold in the structure. The rest of the systems were based on controlled air flow. We used insulation on the building to not only protect its components from heating up or cooling down too quickly, but also to make the Grotto more energy efficient. The specific type of wood, Cedar, was then selected based on a number of factors; such as resistance to rot, aroma, colour, local sources, and quality. The openings were fabricated here in Ontario using double and triple glazed high effi ciency annealed glass to ensure high energy savings and durability. Furthermore, the internal structure of the Grotto was tightly sealed and a layer of energy efficient aluminum foil was adhered to all internal surfaces creating a convective air plenum between the internal wood panels and the space in which they were mounted. This allows for the wood to expand and contract evenly with even heat movement all around. The space behind the wood panels created convection currents that allow the skin to breathe through the ventilation pores that were carved into seats and seams of the cedar panels. The result is a sculpted space, a sensual experience, and a sophisticated exercise in building science.

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Architect: PARTISANS
Partisans Team: Alexander Josephson, Pooya Baktash, Jonathan Friedman, Shamir Panchal, Ivan Vasyliv, Betty Vuong, Nathan Bishop, Phil Deck, Kim Bozak

Contractor: Jordan Construction, Chantler Barging
Wood Fabrication and Installation: MCM Inc

Photography by Jonathan Friedman and PARTISANS

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Napa Valley Residence

The hills and vineyards of Napa Valley provide the setting for this contemporary residence, which is composed of a main house, guest house, and garage. The main house has three distinct pavilions, each with its own unique views of the landscape. The shorter vistas embrace the surrounding vineyards and hills, while the longer ones offer views of the countryside and Mount St. Helena beyond. The guest house is designed as a fourth pavilion, and along with the garage defines the residential portion of the project. The architecture and landscape are all conceived within California’s Title 23 environmental law that has assisted in a remarkably sustainable design and constructed solution. The pavilions have inverted seam, stainless steel roofs that are detailed with crisp edges to accentuate their planar nature as they gesture to the surrounding landscape. Large limestone panels reference the color of the native stone and help to root the house in the landscape, while large sloping planes of glass add to the dynamism of the roofs. In addition to the residence there are 6 acres of vineyards, a future winery, and wine storage caves that have been cut into the hillside to the east. {% …

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Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design

Architects: , Pure Architectural Design
Location: Zhengzhou, Henan,
Area: 4600.0 sqm
Year: 2013
Photographs: Courtesy of Shenzhen Upright & Pure Architectural Design

Contractor Of The Building Construction: Meijing zhizhou Development Ltd
Structure: Concrete Frame & Steel Structure
Interior Design Firm: Matrix Design
Landscape Architects: Locus Associates

From the architect. As the function of the building is a sales center, the designís philosophy is focusing on conveying the spirit of enterprise of Vanke Co.,Ltd.  Vanke has been a pilot of the building industry in China by dedicating leading in energy conservation, emission reduction, promoting green buildings and housing industrialization, so the design efforts is to symbolize Vankeís Hi-Tech development philosophy and their approaches.

We created an integrated geometry configuration by using some architectural strategies, such as separating the surface into multiple triangular surfaces with different spatial relationships, emphasizing the sharpness feeling at building corner, using the metal and glass building surface materials to enrich the Hi-tech effect etc. All these efforts are to convey the spirit of Vanke, which are committing to ethical business, obtaining fair returns with professional competence, featuring standardization and transparency, as well as steadiness and focus.

To creating “mutation” effect, we also employed aluminum panels as main material of building epidermis and used three kinds of colors combinations to enhance the feeling of “mutation” in one triangle surface. The arrangements of the aluminum panels in each face are interrelated and mutually varied. Each elevation has its specialized color gradient. They vary from cold to warm color in gradient, creating a “bloom” effect.

All the design effort is to extend the exhibition area of Sales Center outward to the outdoor space by its attractive facade.

The geometry of the building is highly harmonized with its surroundings, which also reflect Vankeís spirit of respecting social and environment, as well as the local culture. Moreover, being a target of architects and designers, we make efforts on establishing environment friendly spaces by detail-designed landscaping and outdoor furniture. Photo of building and Outdoor Spaces

Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Courtesy of Shenzhen Upright & Pure Architectural Design
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design First Floor Plan
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Second Floor Plan
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Third Floor Plan
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Site Plan
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Elevation
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Elevation
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Section
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Section
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Detail
Vanke Sales Center Façade Renovation / Shenzhen Upright &Pure Architectural Design Detail

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Marlon Blackwell on the Power of Everyday Design

Marlon Blackwell, principal of Marlon Blackwell Architects and distinguished professor and department head at the Fay Jones School of Architecture at the University of Arkansas, practices in Fayetteville, Arkansas, where the temptation to design according to a derivative vernacular—and the risk of descending into quaintness—is great. Blackwell seeks instead to operate in the space between […]

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Skaters Win Battle Against Southbank Centre

London‘s  announced yesterday that it has reached an agreement with skateboarding group Long Live Southbank, and is dropping plans to move the famous skatepark to a new site underneath Hungerford Bridge nearby. The decision, which is ensured by a binding planning agreement with Lambeth Council, brings a close to a dispute that has lasted almost a year and a half – ever since the Southbank Centre unveiled redevelopment plans by Feilden Clegg Bradley which included the removal of the skatepark in favour of retail space in the Southbank’s undercroft.

The agreement also involves both sides dropping a series of legal challenges initiated during the dispute, including the Southbank’s challenge over the registration of the skatepark as an ‘asset of community value,’ an attempt by Long Live Southbank to have the skatepark listed as a village green, and a judicial review of Lambeth Council’s decision to reject the village green application.

Skaters Object to Southbank Centre Proposals// <![CDATA[
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In return, Long Live Southbank has announced that they are “pleased to support Southbank Centre’s Festival Wing project,” which aims to improve the Southbank’s three cultural destinations, Queen Elizabeth Hall, the Purcell Room and the Hayward Gallery.

“I’m pleased that Lambeth Council was able to work with both sides and find an imaginative solution to resolve this,” said Lambeth Council Leader Lib Peck. “Shared public space in is precious and Southbank Centre is a great asset to the country’s cultural life. This agreement is a sensible way of protecting both and we can all now look forward.”

Earlier this year, the Southbank Centre looked set to go ahead with its plans to move the skatepark, with a design by SNE Architects for a new skatepark nearby. However, their plan was dealt a major blow when Mayor of London Boris Johnson announced his support of the skateboarders, which many saw as an implication that he would personally reject any planning application which involved the move.

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Shortly afterward, the Southbank Centre announced that they were postponing their planning application by another three months while they explored alternative options for the redevelopment, saying “it is far from clear how the scheme might now proceed without exposing Southbank Centre to unacceptable levels of financial risk.” There is still no indication whether they have a plan to fund the redevelopment now that one of their key methods of funding the scheme, the retail units in the undercroft, has been eliminated.

Southbank Scheme Likely to Be Abandoned// <![CDATA[
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// ]]>Why Skaters Need the Southbank Centre// <![CDATA[
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blog wunderlust: 251th August 2014

The sun never knew how great it was until it struck the side of a building.
Louis Kahn

Could Lego Architecture Studio actually be useful for architects? | The ‘Starchitect’ Image | Rebel Architecture: The creator’s view | Big Read: A feast of art, food 
and architecture in Rodez | Paper Palaces | Clay robotics: the future of architecture is happening now in a Chilterns farm | Guerrilla architect | 20th Century architecture: Is it the end of our ‘concrete jungles‘? | Edible Chocolate LEGOs by Akihiro Mizuuchi

last word: Stop Order Placed On St Lucia Towers

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Clovelly Residence by Tzannes Associates

Tzannes Associates designed the Clovelly Residence in Sydney, Australia.

Project description

The residence forms a L-shape to create a protected enclave and to maximise solar access, natural ventilation and aspect as well as utilising energy efficiency by including 3 water tanks, reverse brick veneer walls, sun control louvres and shutters, natural ventilation, hot water solar panels and photo-voltaic cells.

The building has an expressed off-form concrete structure with flush oiled infill timber panelling, providing an honesty of form and legibility of structure. The robust materials compliment the natural cliff reserve setting, with the restricted material palette continuing through to the interior. Polished concrete floors turn up to form the monolithic kitchen island bench which accommodates a cooking range, commensurate with the clients love for food. Internal timber joinery and wall linings utilise the same external timber species; tallowwood.

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Architects: Tzannes Associates
Design Director:Jonathan Evans
Project Architect: Vera Batalha
Building Surveyor: Dunlop Thorpe & Co
Hydraulic Consultant: Neil Lowry & Associates
Structural Consultant: Simpson Design Associates
Mechanical Consultant: Nappin Partners
Cost Consultant: Page Kirkland Group
Landscape Consultant: Secret Gardens of Sydney
Builder: Building Partners
Photographer: Steve Back

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Dutch Floating Bridge / RO&AD Architecten

Architects: RO&AD Architecten
Location: Bergen op Zoom, The
Year: 2014
Photographs: Courtesy of RO&AD Architecten

From the architect. Dutch military engineer Menno van Coehoorn built the Ravelijn op den Zoom fortress in Bergen op Zoom, Netherlands, in the 18th century. Designed with a moat as its system of defense, Ravelijn op den Zoom was only accessible by boat. Today, the fortress is used for small events—and with the moat still in place could only be reached by a single bridge. RO&AD Architecten sought to provide additional access to the small island to better accommodate guests as well as provide another exit for emergencies.

To increase access without distracting from the historic appearance and layout, the architecture team designed a floating bridge that sits on the water. The bridge is 80 meters long and echoes the same path boats took to reach Ravelijn op den Zoom. The bridge follows a curved pattern that doubles as a design aesthetic as well as covering the floaters—polyethylene pipes filled with air—on which the bridge sits.

Designed with Accoya wood, the bridge surface features a natural and beautiful appearance that complements the historic nature of the fortress. Accoya wood undergoes a revolutionary proprietary modification process called acetylation that renders it an unrecognizable food source, preventing fungal decay achieving increasing Class 1 durability while increasing its dimensional stability; swelling and shrinkage are reduced by 70% or more. The material is sourced from FSC-certified forests, Cradle to Cradle Gold certified and independent tests have shown its carbon negative.

Dutch Floating Bridge / RO&AD Architecten Courtesy of RO&AD Architecten
Dutch Floating Bridge / RO&AD Architecten Courtesy of RO&AD Architecten
Dutch Floating Bridge / RO&AD Architecten Courtesy of RO&AD Architecten
Dutch Floating Bridge / RO&AD Architecten Courtesy of RO&AD Architecten
Dutch Floating Bridge / RO&AD Architecten Courtesy of RO&AD Architecten
Dutch Floating Bridge / RO&AD Architecten Courtesy of RO&AD Architecten
Dutch Floating Bridge / RO&AD Architecten Courtesy of RO&AD Architecten
Dutch Floating Bridge / RO&AD Architecten Courtesy of RO&AD Architecten
Dutch Floating Bridge / RO&AD Architecten Courtesy of RO&AD Architecten
Dutch Floating Bridge / RO&AD Architecten Sketch
Dutch Floating Bridge / RO&AD Architecten Floor Plan
Dutch Floating Bridge / RO&AD Architecten Floor Plan

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