Museum Round Up: The Box is Back

In a recent article for the Denver Post, Ray Rinaldi discusses how the box is making a comeback in U.S. museum design. Stating how architecture in the 2000’s was a lot about swoops, curves, and flying birds – see Frank Gehry and Santiago Calatrava – he points out the cool cubes of David Chipperfield and Renzo Piano. We’ve rounded up some of these boxy works just for you: the Clyfford Still Museum, the Kimbell Art Museum Expansion, The St. Louis Art Museum’s East Building, Tod Williams and Billie Tsien’s Barnes Foundation, and Shigeru Ban’s Aspen Art Museum. Each project begins to show how boxes can be strong, secure, and even sly. Check out more about the article here.

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Casa de Madera / Dörr + Schmidt

Architects: Dörr + Schmidt
Location: , Valparaíso Region, Chile
Architect In Charge: Manuel Dörr, Pablo Schmidt
Area: 662 sqm
Project Year: 2013
Photographs: Marcos Zegers

From the architect. The project is located in the base of the range that surrounds the Aconcagua Valley in a 10 acres park, surrounded by avocado trees plantations and is tied to the ground by three walls of concrete that opens to the plain. The house lies between these walls generating a series of patios that graduate the space from the interior of the house to the valley. This manner of graduating the space between interior and exterior is inspired in the old colonial of the Aconcagua valley.

Also rescue the pureness of lines and horizontality of the patrimonial houses of the valley together with the rhythm produced by the repetition of  volumes and pillars .

The house was built mainly using recycled woods except for the cover of the interior walls where pine tree planks was used.  The pillars of the house originally was part of the structure of tunnels of the old train that crossed Los Andes Mountains from Santiago,  Chile to the Argentinian  city of Mendoza.

Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt © Marcos Zegers
Casa de Madera / Dörr + Schmidt Site Plan
Casa de Madera / Dörr + Schmidt Section A A'
Casa de Madera / Dörr + Schmidt Section B B'
Casa de Madera / Dörr + Schmidt Section C C'
Casa de Madera / Dörr + Schmidt Section D D'
Casa de Madera / Dörr + Schmidt Section E E'
Casa de Madera / Dörr + Schmidt Section G G'
Casa de Madera / Dörr + Schmidt Section F F'
Casa de Madera / Dörr + Schmidt Roof Floor Plan

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Pabellon-S / Taller Diez 05

Architects: Taller Diez 05
Location: , Veracruz,
Architect In Charge: Manuel Herrera Gil
Collaborators: Luis Enrique Alvarez, Eder Ferreira, Francisco Dorado
Area: 55 sqm
Year: 2013
Photographs: Luis Gordoa

From the architect. Located in the south of Veracruz City in Mexico, the Pavilion – S  is an annex of an existing dwelling house that has the intention to accommodate different complementary uses as a multifunctional space.

In terms of design, the architectural concept is originated from the idea of INSERTION to an existing contained space with typological and natural default conditions.

As this was an established consolidated dwelling, there were certain typology aspects to put onto consideration that established the environmental space from the site such as: vertical apertures, flares, lattices and historical reminiscences of San Juan de Ulúa historic fortress, that were the starting point to analyze the main signs to shaped permanently this project.

While being compromised by a magnificent existing green area, the strategy changed on making minimal contact with the adjacencies and fully structured vegetation elements, taking advantage of the natural views to the immediate environment.

At the same time this intervention was located in an area of the property that allowed the visibility of an existing green wall, that is why the overall idea was creating a block that compresses the interior program through a “Spatial Bond or Belt”, releasing its longitudinal fronts, where the view from the dwelling is predominant.

To formally define the building, the Pavilion is connected to the existing building trough a wood box connector as a link between these two elements; there is a concrete wall framing the living room area where gently gets involved with a narrow zone of vegetation.

Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 © Luis Gordoa
Pabellon-S / Taller Diez 05 Floor Plan
Pabellon-S / Taller Diez 05 Section
Pabellon-S / Taller Diez 05 Elevation
Pabellon-S / Taller Diez 05 Elevation

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Logan Graphic Products 650 40″ Framer’s Edge Straight Blade Mat Cutter

This Professional Mat Cutting System contains a heavy-duty cutter with dual purpose straight and bevel cutting head, fully scaled 27″ squaring arm plus shorter, 9″ unscaled squaring arm and production stops. Other features are: a parallel mat guide with aluminum channels, movable production stops and laminate surface. This system uses replacement blades #269 and #268 for 8-ply mat board cutting. Extra replacement blades plus, a free setup and instructional DVD are also included.

Product Features

  • Improved support arm mounting block
  • Free short squaring arm
  • Improved cutting head
  • Free 8-ply cutting blades included
  • Uses Logan 269 blade

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Logan Dual Point Driver Elite

Dual drive elite represents the next step in easy-to-use, efficient picture framing point driving tools. This improved model works with both flexible and rigid points and provides stronger downward point pressure on materials. The handle has a comfort rubber grip and has been redesigned to need 50 percent less grip force to drive the point. Includes 1 point driver, 50 flexible points, 50 rigid points and instructions. Uses points F53, F54, F55 and F56 refills.

Product Features

  • Dual drive elite represents the next step in easy-to-use, efficient picture framing point driving tools
  • This improved model works with both flexible and rigid points and provides stronger downward point pressure on materials
  • The handle has a comfort rubber grip and has been redesigned to need 50 percent less grip force to drive the point
  • Includes 1 point driver, 50 flexible points, 50 rigid points and instructions
  • Uses points f53, f54, f55 and f56 refills

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