3 houses in Meco

The intervention that is proposed is located within the urban perimeter of Aldeia do Meco. It is a narrow strip towards sunrise / sunset, flat up to about half of the land and thereafter acquiring an pending until the river bordering the west. The settlement program includes the construction of three houses, two for rent and a residence for the owners. The first two houses are grouped together (casa 1 and casa 2) on the flat part and closer to the street and settled the other house (casa 3) on the ground to the west. 3 This house adapts to the topography, adjusting to the presence of existing trees, and enjoying the views through a system of terraces that extend the house outdoors. Unlike casa 3, casa 1 and casa 2, more exposed to neighboring buildings, enjoy a more intimate relationship generated by a system of courtyards. Important starting point was the impossibility of any sophistication constructive opting for current building systems. The banality of the building grew into a minimal architectural lexicon composed of white unequal volumes, but similar in nature. This game was complemented with the austerity of the chosen materials. {% blog_media_item 674835 …

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Hihou / Denton Corker Marshall

Architects: Denton Corker Marshall
Location: 1 Flinders Street, VIC 3000, Australia
Architect In Charge: Denton Corker Marshall
Area: 230.0 sqm
Year: 2012
Photographs: Itsuka Studio

Builder : Leeda Projects
Engineer: Perrett Simpson Stantin
Custom Furniture : Arteveneta
Client: Isakaya Enterprises

From the architect. Summary

Hihou is located in Melbourne’s central business district but the design concept provides patrons with a sense of being transported to Tokyo, Japan. The patrons’ journey begins at the anonymous entrance, through a minimalistic corridor, before arriving into a Japanese inspired venue where they are welcomed by sophisticated staff.

Design Brief

The project brief was to refurbish and convert a two-hat restaurant, Verge, located opposite Treasury Gardens in Melbourne’s central business district, into a Japanese style café and bar. The first meeting with the client was held in November 2011 and the venue opened in June 2012. The client’s vision was to utilise the existing split-levels and turn the venue into two separate identities, a café (day time operation) and a bar (night time operation), by using sliding screens inspired by Japanese architecture. The aesthetic brief was very simple; create a bright and fresh café on the lower level, and a dark and moody bar on the upper level.

Design

The bar entry is located on Flinders Lane in Melbourne. There is no signage, just an intercom at the door. The anonymous entry enhances patrons’ sense of being transported to another city – Tokyo. Inside the venue, sliding screens are used to create flexible planning and to separate the two identities located within the one venue, a café and a bar. The screens slide in and out to create two different, almost conflicting themes between the day and night time operations. A minimalistic corridor guides patrons to the bar on the first floor. The bar space is designed with a timber chandelier which also doubles as a wine rack and a screen. A feature wall is created with timber battens arranged into a three-dimensional piece of artwork; bottles and glasses are displayed in between the battens to add another dimension. Opposite the feature wall, along the Flinders Lane glass façade, timber planter boxes have been designed to form a screen between the inside and the outside, as well as to create a vertical garden which responds to the surrounding Treasury Gardens and street trees.

Innovation

The Hihou design uses simple ideas to achieve a distinctive Japanese atmosphere. The use of sliding screens, feature wall and planter boxes achieves an effective multipurpose use of the space. The sliding screens enable the venue to interchange between a bright and fresh atmosphere, to dark and moody, by sliding into different positions. A timber chandelier is suspended over the communal table in the middle of the bar area. LED light fittings are arranged and embedded into the timber battens to bring indirect light into the space. It also forms a screen dividing the communal table and the wine rack. The feature wall is constructed with timber battens arranged to form a three-dimensional piece of artwork and is used to display bottles and glasses. LED light fittings are again used between the battens to light up the space, and also cast reflections on the items on display. The design of the planter boxes is based on a brief to obscure the view from the outside and reduce the ‘goldfish-in-tank’ effect. A green vertical garden responds to the surrounding Treasury Gardens and street trees. This feature was again designed with flexibility in mind – as a screen, planter boxes and/or display shelves.

Client Testimonial

The project challenge was to make over a modern design, retaining most of the existing structure while giving the venue a sense of something new, with a strong Japanese feel. The Senior Architect on the job was Japanese, allowing us to naturally instil a strong Japanese ethos into the design, while retaining the unique style of the firm. The success of creating two businesses under the same umbrella has been successfully achieved, with most customers unaware of the space above or below.

The brief for Hihou was to create a sense of being transported to Tokyo and this has been realised through the secret entrance, Japanese screens and the design of the bar area. The discreet lighting, timber battens, blackened bar top and stone tables exude an elegant Japanese feel with a sense of modernity and seriousness. Most importantly neither the practical operations of the bar nor the importance of strong, effective design, were compromised. The end result is a successful bar which combines food, design and culture to create a unique Japanese feel.

Hihou  / Denton Corker Marshall © Itsuka Studio
Hihou  / Denton Corker Marshall © Itsuka Studio
Hihou  / Denton Corker Marshall © Itsuka Studio
Hihou  / Denton Corker Marshall © Itsuka Studio
Hihou  / Denton Corker Marshall © Itsuka Studio
Hihou  / Denton Corker Marshall © Itsuka Studio
Hihou  / Denton Corker Marshall © Itsuka Studio
Hihou  / Denton Corker Marshall © Itsuka Studio
Hihou  / Denton Corker Marshall © Itsuka Studio
Hihou  / Denton Corker Marshall © Itsuka Studio
Hihou  / Denton Corker Marshall First Floor Plan
Hihou  / Denton Corker Marshall Second Floor Plan
Hihou  / Denton Corker Marshall Section 03
Hihou  / Denton Corker Marshall Section 04, Elevation

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Outdoor Room / MODU

Architects: MODU
Location: ,
Collaborators: Ho-Yan Cheung, Arup
Year: 2013
Photographs: Matthew Niederhauser

From the architect. MODU’s Outdoor Room project for the 5th China International Architecture Biennial creates an urban public space that reactivates Beijing’s iconic Olympic Park while focusing on the air quality crisis in Beijing. The competition-winning project will be open in Beijing through November 2013 and will be installed in six other cities in China.

Outdoor Room serves as an engaging urban public space and a barometer of Beijing’s well-documented air quality levels. Along with the weather report, daily readings of air particulate contaminant have become part of everyday urban life in Beijing. On most days, pollution creates a dense fog that transforms the city with an unsettling palette of colors—from dull grey to off-white and yellow-beige. On the occasional day of better air quality, urban forms suddenly materialize “out of the fog.” The concept of a city that disappears and reappears is central to the public experience of Outdoor Room. Inside the pavilion, a large elliptical roof opening provides a visual measure of the air quality. On days of good visibility, the roof void frames clear views of the Olympic Observation Tower and beyond to the National Stadium. On days of poor air quality, the landmarks virtually disappear from sight. The uncanny experience of a city disappearing and reappearing comes into focus from within Outdoor Room and draws attention to the crisis of air pollution in Beijing.

The design of Outdoor Roomprecipitated the concept of the “room in the city”andits converse, the“city in the room.” Viewed from the Olympic Park, the “room in the city” does not attempt to recreate the urban boundaries that separate polluted outdoor air from conditioned and filtered indoor air throughout Beijing. From within the public space, the openings between the fabric panels frame a “city in the room.” This “city in the room” offers changing views of the OlympicPark and the air that surrounds it. The glossy translucent fabric panels both reflect and transmit the color hue of the polluted air enveloping the city—from blue to grey to yellow. The torque geometry of the fabric panels reflects the colors differently, especially when viewed fromdifferent vantage points within Outdoor Room. All of the fabric panels were recycled from nearby exposition tent structures in the Olympic Park, highlighting existing environmental opportunities even in Beijing.

Outdoor Room / MODU © Matthew Niederhauser
Outdoor Room / MODU © Matthew Niederhauser
Outdoor Room / MODU © Matthew Niederhauser
Outdoor Room / MODU © Matthew Niederhauser
Outdoor Room / MODU © Matthew Niederhauser
Outdoor Room / MODU © Matthew Niederhauser
Outdoor Room / MODU © Matthew Niederhauser
Outdoor Room / MODU Floor Plan
Outdoor Room / MODU Elevation
Outdoor Room / MODU Section
Outdoor Room / MODU Diagram
Outdoor Room / MODU Diagram

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